Eliza Ruhamah Scidmore (1856-1928)
"This unassuming chronical is the outcome of two visits, covering
nearly three years' stay in the Island Empire, a period during which a
continued residence was maintained, by turns, in each of the larger
ports, while many weeks were spent in Kioto, Nara, and Nikko." (pp.
v-vi). This book is actually one of the best RJB has seen from
this period. Mrs. Scidmore
originated the idea of cherry trees planted in Washington,
D.C. after returning from her first visit to Japan in 1885. |
Jinrikisha Days in Japan (1899):
Upon the Bluff [of Yokohama]
stand a public hall, United States and British marine hospitals, a
French and a German hospital, several missionary establishments, and
the houses of the large American missionary community. At the
extreme west end a colony of Japanese florists has planted toy-gardens
filled with vegetable miracles; burlesques and fantasies of
horticulture; dwarf-trees, a hundred years old, that could be put in
the pocket; huge single flowers, and marvelous masses of smaller
blossoms; cherry-trees that bear no cherries; plum-trees that bloom in
midwinter, but have neither leaves nor fruit; and roses -- that
favorite flower which the foreigner brought with him -- flowering in
California profusion. A large business is done in the exportation
of Japanese plants and bulbs, encased in a thick coating of mud, which
makes an air-tight case to protect them during the sea-voyage.
Ingenious fern pieces are preserved in the same way. These
grotesque things are produced by wrapping in moist earth the long,
woody roots of a fine-leafed variety of fern. They are made to
imitate dragons, junks, temples, boats, lanterns, pagodas, bells,
balls, circles, and every familiar object. When bought they look
dead. If hung for a few days in the warm sun, and occasionally
dipped in water, they change into feathery, green objects that grow
more and more beautiful, and are far more artistic than our one
conventional hanging-basket. The dwarf-trees do not stand
transportation well, as they either die or begin to grow rapidly. (pg.
11)
The plum is the poet's tree,
and symbolic of long life, the snowy blossoms upon the gnarled, mossy,
and unresponsive branches showing that a vital current still animates
it, and the heart lives. At New-years a dwarf-plum is the
ornament of every home, and to give one is to wish your friend length
of days. Ume, the plum blossom, has a fresh, delicate,
elusive, and peculiar fragrance, which in the warm sun and open air is
almost intoxicating, but in a closed room becomes heavy and cloying.
(pg. 32) A colony of
florists [near Shiba, in Tokyo, the old monastery grounds that are now
a public park and where some of the ashes of Tokugawa Shoguns reside]
show gardens full of wonderful plants and dwarf-trees... (pg. 49) In the change from the
Chinese method of reckoning to the Gregorian, the Japanese January fell
to a churlish mood of nature, when only late chrysanthemums, camellias,
and in-door dwarf-trees can bloom. But every door-way is then
arched with evergreens and flowers; pine and bamboo, bound with braided
straw ropes, are set before the house; tassels of rice straw are
festooned across the eaves, and lanterns hang in rows. (pp. 65-66) The [Kameido] temple [in Tokyo] is ancient, and the grounds are full of tiny shrines, stone lanterns, tablets, and images, and dwarfed and curiously trained pine-trees, with a high, hump-backed little bridge, over which, in the old days, only priests and grandees might walk. (pg. 78) 2 |
1 Scidmore, Eliza Ruhamah
Jinrikisha Days in Japan
(New York: Harper & Brothers Publishers; 1899. Copyright 1891.) Per pg. 330, Book II of Griffis, William Elliott, A.M. The Mikado's Empire, Book I. History of Japan, From 660 B.C. to 1872 A.D., and Book II. Personal Experiences, Observations, and Studies in Japan, 1870-1874 (NY: Harper & Brothers, Publishers; 1876): "The town [of Yokohama] itself seems compactly built of low houses, with tiled roofs. They are usually two-storied, though many are, in the language of the East, 'bungalows,' or one-storied dwellings. The foreign settlement seems to be arranged on a plain about a mile square. The Japanese town spreads out another mile or more to the right. Beyond the plains is a sort of semicircle of hills, called 'The Bluff.' It is covered with scores of handsome villas and dwelling-houses, of all sizes and varieties of architecture. To the left the Bluff runs abruptly into the sea. To the right it sweeps away to the south-west. In local parlance, the various parts of Yokohama are distinguished as 'The Bluff,' 'The Settlement,' and the 'Native' or 'Japanese' town. Along the waterfront of the settlement runs a fine, wide, well-paved street, called 'The Bund,' with a stout wall of stone masonry on the water-side. Private dwellings, gardens, and hotels adorn it, facing the water." See also Del Mar. |