"Dwarfed Trees" from Eliza Ruhamah Scidmore's Jinrikisha Days in Japan


       Eliza Ruhamah Scidmore (1856-1928) "This unassuming chronical is the outcome of two visits, covering nearly three years' stay in the Island Empire, a period during which a continued residence was maintained, by turns, in each of the larger ports, while many weeks were spent in Kioto, Nara, and Nikko." (pp. v-vi).  This book is actually one of the best RJB has seen from this period.  Mrs. Scidmore originated the idea of cherry trees planted in Washington, D.C. after returning from her first visit to Japan in 1885.

Eliza Ruhamah Scidmore

       Jinrikisha Days in Japan  (1899):

       Upon the Bluff [of Yokohama] stand a public hall, United States and British marine hospitals, a French and a German hospital, several missionary establishments, and the houses of the large American missionary community.  At the extreme west end a colony of Japanese florists has planted toy-gardens filled with vegetable miracles; burlesques and fantasies of horticulture; dwarf-trees, a hundred years old, that could be put in the pocket; huge single flowers, and marvelous masses of smaller blossoms; cherry-trees that bear no cherries; plum-trees that bloom in midwinter, but have neither leaves nor fruit; and roses -- that favorite flower which the foreigner brought with him -- flowering in California profusion.  A large business is done in the exportation of Japanese plants and bulbs, encased in a thick coating of mud, which makes an air-tight case to protect them during the sea-voyage.  Ingenious fern pieces are preserved in the same way.  These grotesque things are produced by wrapping in moist earth the long, woody roots of a fine-leafed variety of fern.  They are made to imitate dragons, junks, temples, boats, lanterns, pagodas, bells, balls, circles, and every familiar object.  When bought they look dead.  If hung for a few days in the warm sun, and occasionally dipped in water, they change into feathery, green objects that grow more and more beautiful, and are far more artistic than our one conventional hanging-basket.  The dwarf-trees do not stand transportation well, as they either die or begin to grow rapidly. (pg. 11)


"Japanese Children"  (pg. 17)

       The plum is the poet's tree, and symbolic of long life, the snowy blossoms upon the gnarled, mossy, and unresponsive branches showing that a vital current still animates it, and the heart lives.  At New-years a dwarf-plum is the ornament of every home, and to give one is to wish your friend length of days.  Ume, the plum blossom, has a fresh, delicate, elusive, and peculiar fragrance, which in the warm sun and open air is almost intoxicating, but in a closed room becomes heavy and cloying. (pg. 32)

       A colony of  florists [near Shiba, in Tokyo, the old monastery grounds that are now a public park and where some of the ashes of Tokugawa Shoguns reside] show gardens full of wonderful plants and dwarf-trees... (pg. 49)

       In the change from the Chinese method of reckoning to the Gregorian, the Japanese January fell to a churlish mood of nature, when only late chrysanthemums, camellias, and in-door dwarf-trees can bloom.  But every door-way is then arched with evergreens and flowers; pine and bamboo, bound with braided straw ropes, are set before the house; tassels of rice straw are festooned across the eaves, and lanterns hang in rows. (pp. 65-66)

       The [Kameido] temple [in Tokyo] is ancient, and the grounds are full of tiny shrines, stone lanterns, tablets, and images, and dwarfed and curiously trained pine-trees, with a high, hump-backed little bridge, over which, in the old days, only priests and grandees might walk. (pg. 78)


NOTES

       Scidmore, Eliza Ruhamah   Jinrikisha Days in Japan  (New York: Harper & Brothers Publishers; 1899.  Copyright 1891.) 
       A digitalized version of the 1891 edition is here, and the 1900 edition is here.   See also Scidmore's article "The Streets of Peking," in The Century magazine. 


Per pg. 330, Book II of Griffis, William Elliott, A.M. The Mikado's Empire, Book I. History of Japan, From 660 B.C. to 1872 A.D., and Book II. Personal Experiences, Observations, and Studies in Japan, 1870-1874 (NY: Harper & Brothers, Publishers; 1876):
      "The town [of Yokohama] itself seems compactly built of low houses, with tiled roofs.  They are usually two-storied, though many are, in the language of the East, 'bungalows,' or one-storied dwellings.  The foreign settlement seems to be arranged on a plain about a mile square.  The Japanese town spreads out another mile or more to the right.  Beyond the plains is a sort of semicircle of hills, called 'The Bluff.'  It is covered with scores of handsome villas and dwelling-houses, of all sizes and varieties of architecture.  To the left the Bluff runs abruptly into the sea.  To the right it sweeps away to the south-west.  In local parlance, the various parts of Yokohama are distinguished as 'The Bluff,' 'The Settlement,' and the 'Native' or 'Japanese' town.  Along the waterfront of the settlement runs a fine, wide, well-paved street, called 'The Bund,' with a stout wall of stone masonry on the water-side.  Private dwellings, gardens, and hotels adorn it, facing the water."

      See also Del Mar.


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