Marie Carmichael Stopes, D.Sc., Ph.D., F.L.S.
(1880-1958) was a paleobotanist who was in Japan from August 6, 1907 through January
24, 1909. She visited coal mines throughout the islands and collected fossils
which she then cut into slide specimens at the University of Tokyo. (The
capital had a population of about two million at the time.) She made several
excursions around the countryside also by foot or bicycle and/or train, observing and
poetically noting the traditional Japanese culture which was beginning to fade with the
adoption of European clothes, food, decorations, and customs. She rented a
few different traditional Japanese homes during her stay. Often
her evenings were involved with the garden parties and dinners held at
the various foreign consulates. She kept up a bit of
correspondence with persons in Europe and was interviewed several times
by Japanese journalists, being the first woman professor apparently to
visit the nation. With Jôji Sakurai she authored the 1913
Plays of Old Japan: The 'Nô.'
Her 1918 book
Married Love
generated much correspondence showing the need for sex-education information.
In 1920 her book
Radiant Motherhood
was published and the following year she would found The Mothers' Clinic for
Constructive Birth Control in London, the first British birth-control clinic. The
Marie Stopes International
organization today provides reproductive health information worldwide.
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A Journal From Japan: A Daily Record of Life as Seen by a Scientist
(1910):
"[October
8, 1907, ...] From my [hotel] room
[near the gardens of Koraku-en] I could look down from the verandah on
to two little gardens, with dwarf trees and green paths and grey
stepping-stones leading to imaginary distances." (pg. 39)
"[November 22, Count Okuma, reported to be the second greatest statesman in the country,]
is the Chamberlain of Japan in one sense, and has the finest orchid houses in the
country. They were very beautiful, but not on the same scale as with us. The
Japanese landscape garden is the chief glory of his place. He has also a fine
collection of dwarf trees, and I watched one of his gardeners pruning a mighty forest of
pines three inches high, growing on a headland jutting out to sea in a porcelain dish." (pg. 71)
"[November 26, ...] At two o'clock I went
to see the Marquis and Marchioness
N
-----, who have a fine house and garden in the centre of [Tokyo] near the
[Imperial] palace. They were very kind and showed me over the
houses and garden, the former in European style, rich, but not quite
aesthetic, the latter in Japanese style, with dwarf trees and quaint
cut bushes, placed with an eye to effect..." (pg. 73)
"[January 1, 1908,...] I had a present from
one of the men at the Institute of a dear little dwarf plum tree, with
sweet-smelling pink blossoms, which scented the room. There is
not a sign of a leaf on the little tree, which is now covered with
blossom." (pg. 85)
"[March 1,...] They gave me a lovely granite hill with clustering
rosy flowers growing round its base -- all 6 inches square -- and [my landlady and I]
admired together the wet pine leaves in the garden." (pg. 110)
"[March 10, spending all day in bed because I felt so seedy...]
; Then I had also a little tree, shaped like a weeping-willow, but one mass of rosy
pink plum blossom, some flowers wide open, with recurved petals and a flare of silver
stamens, others in perfectly round crimson buds, alluring as only roundness can be.
"[April 11, in the new house] I
have the few chairs and the table and cabinet I had for the last house,
and with a lovely brilliant blue cloisonné vase on an ebony
stand, a dwarf pine tree, and a bunch of white cherry flowers in the
tokonomo, my room looks like an aesthetic dream, with its cream walls,
cream floors, and wooden trellis-work with white paper windows." (pp. 137-138)
"[May 10, while visiting various gardens in the south part of Tokyo, one garden had all
manner of the celebrated Buton flowers (paeonies).] In the same garden were also a
number of dwarf trees -- now I have bought several at various times, and was always
astonished at the cheapness and prettiness, but here, a very (to me) inartistic one cost
£4, and the only one I really liked was £9!" (pg. 155)
"[July 19,
they went to about a dozen gardens in a part of the town near Oyeno
Park to see the huge brilliant 'Morning Glories' specially cultivated
there.] In some of the gardens there are many other
beautiful things to be seen, one in particular was almost like a museum
of precious things. There were open rooms in it, with the flowers
arranged according to the best artistic styles, with valuable dwarf
trees and curios placed beside them; there were three old
kakemonos
[vertical scrolls] I should have loved to possess. In this garden
also was a wonderful collection of landscape stones, arranged as
islands on flat porcelain trays filled with water. It was indeed
a case of bringing the mountain to Mahomet -- perfect rocky scenes,
with gleaming waterfalls made by streaks of white quartz. The
innumerable lovely stones -- from an inch to a foot high -- represented
perfectly, enchantingly, all types of grand, beautiful, natural
scenery. The one I liked best was (even in Japanese things my
fancy usually hits on the most expensive) just a thousand yen in price!
"[September 12, spending a quiet and feverish day in my room]...
The window-ledge is inside the room (not outside in our mad Western way), and on it stands
a low grey-green dish in which is growing a graceful spraying plant beside a gnarled grey
stone that looks like a piece of a forest rock... [In the tokonoma recess, a
yard deep and two yards long and nearly as high as the room, there is one long kakemono
scroll, and] below it to the one side a stand of ebony, with a brilliant blue cloisonné
vase round the slender stem of which curls a fiery dragon, and its colour is living and
gleams against the brown. Then on the other side grows a little bent and twisted tree,
in a flat earthenware bowl, and in the corner stands my sword." (pp. 219-220)
"October 4. -- Went to Omori and walked on to
the temple on the hill beyond. Its green groves and quietness were very peaceful and
lovely. It is almost woodland there, and there are few people. In the temple
grove was a scarlet high pagoda, which gleamed between the stately trees. The spot
is so peaceful and sweet and I was so tired of working that the day was very pleasant.
We collected moss, and some little stones covered with it, and I had five
Cryptomeria
seedlings to make a forest, and with them I made a miniature landscape
in a flat earthenware dish when I returned home -- but it isn't half as
easy as it looks!" (pp. 223-224)
"October 25. -- In the afternoon I went to tea with Professor F----- and met Professor R----- from Russia, and others. We taught Professor R----- to use chopsticks, and we examined dwarf trees, of which Professor F----- has some beautiful specimens. In a room in which dwarf trees are displayed everything must be specially simple and dignified. If the tree is not in the tokonomo [sic] , for instance, the screen behind it must be white, pure white, not even flecked with gold-dust. And when one sees it arranged rightly, one realises the true rightness of it, and the beauty seems to stand out clearly, with the outline of the tree against the background of white. I love more and more the simple culture of the old style Japanese when in harmonious surroundings. Though they have quite lovely and valuable dwarf trees in Kew [THE garden in London], they are lost in the greenhouse with all the other things ; the rays and suggestions from the other plants around them intermingle and conflict, till they produce a grey haze of mist in which the spirit of beauty envelops herself and is invisible ; but if you place but one of those trees in the right place, she steals out and is radiant before you." (pg. 229) 1 |
1
Stopes, Marie C.
A Journal From Japan
(London: Blackie & Son, Limited; 1910). Portrait of the author from the
Frontispiece. The particular copy RJB read was courtesy of the Arizona State
University Library in Tempe, AZ through InterLibrary Loan. As I had to
carefully tear open eleven pairs of pages from different places in the book (which had
not been cut apart when the book was manufactured) in order to read the entire work, it
was humbling yet slightly dismaying to realize that this particular copy had thus lain
upon the shelves for 94 years without being entirely read by anyone else.
Per Hotta-Lister, Ayako
The Japan-British Exhibition of 1910, Gateway to the Island Empire of the East
(Richmond, Surrey: Japan Library; 1999), pg. 104, "In the second week of August, Dr.
Marie C. Stopes, who had been in Japan in 1907 to study the fossils of cretaceous
[sic]
plants found in Japan, and who had her own exhibits at the
Exhibition,
consisting of those fossils which he had collected in Japan, visited
the Exhibition and gave a lecture in its science section on 'The
Cretaceous Deposits of Japan.' In the March of that year she had published
Journal From Japan, a diary of her travels in Japan. After the lecture,
she visited the Ainu village and commented with delight that she felt as though she
had been back in Japan, saying 'You could study these people here almost as well as if
you were in their native country.'"
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